Poor Things: Breaking Down the Movie Magic

Last weekend, my partner and I caught "Poor Things," directed by the brilliantly eccentric Yorgos Lanthimos, at the theater—and wow, am I thrilled we did. This is one of those films that demands the big screen treatment. I’d read reviews raving about its visual splendor, but nothing prepared me for the sheer explosion of creativity from the designers, cinematographer, and costume team. Every frame is packed with so much to soak in—it’s almost overwhelming, in the best way possible.

The movie’s script is adapted from Alasdair Gray’s novel, offering a quirky twist on the Frankenstein tale. It follows Bella, a reanimated creation of a mad doctor, as she embarks on a journey of rediscovery. Her wide-eyed wonder and insatiable curiosity propel the story forward, making her both endearing and fascinating. One standout moment for me was when Bella first hears music and instinctively starts to dance. Her unbridled joy was infectious, and the choreography—especially Mark Ruffalo’s goofy, galloping moves—was pure delight.

The film’s surreal vibe is amplified by its over-the-top sets. Nothing feels remotely ordinary, and that bold, all-in approach works wonders. I was particularly smitten with the fantastical version of Lisbon, though the ship scenes were a close second—lavish and dreamlike in equal measure.

Emma Stone’s portrayal of Bella Baxter is nothing short of phenomenal—she’s already nabbed a Golden Globe, and I’m rooting for her to snag an Oscar too. The entire cast shines, though. Willem Dafoe dials it back for once, playing his mad scientist with surprising restraint, while Mark Ruffalo goes gloriously over-the-top as a pompous cad. His cringe-worthy English accent grated on me at first, but it grew into a perfect fit for his character’s absurdity.

Be warned, though—this isn’t a film for everyone. The surgery scenes that bring Bella to life are downright gruesome (I’m the type who thinks "Ghostbusters" is scary, so take that as you will), and there’s a hefty dose of sex—more than you might expect. If that’s not your thing, you might want to sit this one out. But you’d be missing something extraordinary.

At its heart, "Poor Things" is about innocence and exploration, peeling back layers of human nature. It challenges how we see the world, how we judge behavior, and how breaking free from those norms can feel both thrilling and unsettling. Oh, and it’s hilarious too—I was laughing out loud in the theater, often alone, which felt a bit odd. Comedy and emotion intertwine here in such a unique way; what tickled me might leave someone else puzzled or moved. That’s the beauty of it—everyone walks away with their own take.

Summary:

"Poor Things," directed by Yorgos Lanthimos, is a visually dazzling, surreal comedy that reimagines the Frankenstein story through Bella Baxter (Emma Stone), a reanimated woman rediscovering the world with childlike curiosity. Adapted from Alasdair Gray’s book, the film boasts stunning sets—like a fantastical Lisbon—brilliant performances (Stone, Willem Dafoe, and an over-the-top Mark Ruffalo), and a bold mix of humor, gore, and sex. It’s a thought-provoking exploration of innocence and societal norms, best experienced on the big screen, though not for the faint-hearted.

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Poor Things: Breaking Down the Movie Magic Last weekend, my partner and I caught "Poor Things," directed by the brilliantly eccentric Yorgos Lanthimos, at the theater—and wow, am I thrilled we did. This is one of those films that demands the big screen treatment. I’d read reviews raving about its visual splendor, but nothing prepared me for the sheer explosion of creativity from the designers, cinematographer, and costume team. Every frame is packed with so much to soak in—it’s almost overwhelming, in the best way possible. The movie’s script is adapted from Alasdair Gray’s novel, offering a quirky twist on the Frankenstein tale. It follows Bella, a reanimated creation of a mad doctor, as she embarks on a journey of rediscovery. Her wide-eyed wonder and insatiable curiosity propel the story forward, making her both endearing and fascinating. One standout moment for me was when Bella first hears music and instinctively starts to dance. Her unbridled joy was infectious, and the choreography—especially Mark Ruffalo’s goofy, galloping moves—was pure delight. The film’s surreal vibe is amplified by its over-the-top sets. Nothing feels remotely ordinary, and that bold, all-in approach works wonders. I was particularly smitten with the fantastical version of Lisbon, though the ship scenes were a close second—lavish and dreamlike in equal measure. Emma Stone’s portrayal of Bella Baxter is nothing short of phenomenal—she’s already nabbed a Golden Globe, and I’m rooting for her to snag an Oscar too. The entire cast shines, though. Willem Dafoe dials it back for once, playing his mad scientist with surprising restraint, while Mark Ruffalo goes gloriously over-the-top as a pompous cad. His cringe-worthy English accent grated on me at first, but it grew into a perfect fit for his character’s absurdity. Be warned, though—this isn’t a film for everyone. The surgery scenes that bring Bella to life are downright gruesome (I’m the type who thinks "Ghostbusters" is scary, so take that as you will), and there’s a hefty dose of sex—more than you might expect. If that’s not your thing, you might want to sit this one out. But you’d be missing something extraordinary. At its heart, "Poor Things" is about innocence and exploration, peeling back layers of human nature. It challenges how we see the world, how we judge behavior, and how breaking free from those norms can feel both thrilling and unsettling. Oh, and it’s hilarious too—I was laughing out loud in the theater, often alone, which felt a bit odd. Comedy and emotion intertwine here in such a unique way; what tickled me might leave someone else puzzled or moved. That’s the beauty of it—everyone walks away with their own take. Summary: "Poor Things," directed by Yorgos Lanthimos, is a visually dazzling, surreal comedy that reimagines the Frankenstein story through Bella Baxter (Emma Stone), a reanimated woman rediscovering the world with childlike curiosity. Adapted from Alasdair Gray’s book, the film boasts stunning sets—like a fantastical Lisbon—brilliant performances (Stone, Willem Dafoe, and an over-the-top Mark Ruffalo), and a bold mix of humor, gore, and sex. It’s a thought-provoking exploration of innocence and societal norms, best experienced on the big screen, though not for the faint-hearted. #poorthings #poorthingsmovie #poor #thinks #poorthinksonline #where to watch poor things movie #poor things movie review #poor things movie streaming #poor things movie poster
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